Search results for "Jean-Jacques Rousseau"
showing 8 items of 8 documents
Rousseau romantique ? Quelques remarques sur "Les Rêveries du promeneur solitaire"
2018
International audience; No abstract.
Mary Wollstonecraft och autonomins uppkomst:
2018
Uppsatsen granskar marginaliseringen av kvinnor i filosofins historia genom att fästa uppmärksamhet vid hur filosofihistorieskrivningen bidragit till denna marginalisering. Utgångspunkten är J. B Schneewinds inflytelserika bok The Invention of Autonomy (1998) och det faktum att Schneewind, trots ett explicit intresse för en egalitär moralfilosofi och ett brett fokus på moralfilosofis utveckling, inte inkluderat en enda kvinnlig tänkare. Uppsatsen består av fem avsnitt. Först presenterar jag några generella synpunkter på filosofihistorieskrivningens marginaliseringsmekanismer. Det andra avsnittet presenterar Schneewinds huvudargument och i det tredje granskar jag hans val att inte inkludera …
Voir l’invisible ou le spectacle de la vérité
2014
International audience; no abstract
Antike. Romantik. Rousseau. Interferenz in der Parkanlage Achilleion auf Korfu und in der privaten Lyrik der österreichischen Kaiserin Elisabeth
2015
Jean-Jacques Rousseau and Mary Wollstonecraft on the imagination
2017
The article compares Rousseau’s and Wollstonecraft’s views on the imagination. It is argued that though Wollstonecraft was evidently influenced by Rousseau, there are significant differences between their views. These differences are grounded in their different views on the faculty of reason and its relation to the passions. Whereas Rousseau characterizes reason as a derivative faculty, grounded in the more primary faculty of perfectibility, Wollstonecraft perceives reason as the faculty defining human nature. It is argued that contrary to what is often assumed, Wollstonecraft’s conception of the imagination is not primarily characterized by its Romantic features, but rather by the close af…
The Italian reception of Benda’s «Ariadne auf Naxos» and «Medea»: fascination and compromise
2016
The monodramas “Ariadne auf Naxos” and “Medea” by the Czech composer Jiří Antonín Benda had an interesting and little known circulation in Italy, where they were translated, performed and adapted to local taste. Both the works were performed in Naples, in 1783 and in 1790 respectively, thanks to Norbert Hadrava, an officer in the Austrian army with a great passion for German music. The article demonstrates that Hadrava presented the two pièces on the stage of Teatro de’ Fiorentini with the original music by Benda, obtaining a large success. A manuscript score of “Medea” now in the library of the Conservatorio San Pietro a Majella in Naples is examined, as it is likely connected to the Neapo…
Tentare il teatro: “Le devin du village” e “Pygmalion”
2004
L'idea di teatro di Jean-Jacques Rousseau rivisitata alla luce delle sue prove come autore di opere musicali.
Rousseau, Lévi-Strauss’s “Master”
2016
International audience; ...